Description

Non-Fiction Book of the Year 2024, Irish Book Awards
Shortlisted for the TLS Ackerley Prize 2025

How far would you go for the missing?

Blending private and public history, cultural analysis, family memoir and autobiography, Clair Wills explores profound questions about memory, loss, motherhood and emigration. She traces a history of sexual secrecy through four generations of unplanned pregnancies in her own family, stretching from the 1890s to the 1980s and from the West of Ireland to Massachusetts, London and the English countryside, dramatizing the power of secret-keeping as a form of care, particularly between women, but also as violence and exclusion.

At the heart of her search is a cousin who went missing from her own family, born in a Mother and Baby Home in the 1950s, and brought up in an institution. Wills asks not only what happened, but why? Why did families consent to the institutional care and control of unmarried mothers and their children? Why did the system make sense to ordinary families, and how can we make sense of it now? What questions should we be asking about guilt, blame, and responsibility?

In order to uncover how people thought about illicit sex, illegitimacy, and institutions, Wills followed the tracks laid down in family stories and anecdotes. She interprets the gaps in stories – the missing bits-as places where the past was both preserved and disavowed.

We are all born into families, whether or not we are allowed to belong to them. Wills asks us to undertake a radical reshaping of our idea of the family, and of the history of generation. We are all part of the historical archive-the remembering and forgetting is in us, whether we like it or not.

Publisher Review

In its account of one family’s history of silence and secrecy, Clair Wills has written a compelling book which demonstrates the uncanny universality of even the most personal stories. Attending to the ways that the past ruptures and grows through the present, this is a history shaken by intimacy – a brave and rigorously humane book. — Sean Hewitt If the past is a mass of tangled wool, Clair Wills frees a long strand and knits it into clarity, line by line, inviting the reader to see the complexity of the pattern she reveals. Written with elegance and erudition, Missing Persons is an extraordinary, moving achievement. — Doireann Ni Ghriofa Clair Wills retrieves from time’s abyss a speculative history of universal import. This is a penetrating and affecting study, essential reading for anyone who seeks to understand the profound contradictions, the secrets and lies that define post-famine Ireland. — Paul Lynch Clair Wills has written a book of unusual subtlety and power. Part memoir and social history, part familial detective story, it’s a work that lays bare the strength and terrible frailty of the bonds that are supposed to bind us together. A superb work of narrative nonfiction. — Francisco Garcia A deeply absorbing account, related with compassion in elegant prose, of how a family’s past becomes embedded in its present. — Danielle McLaughlin This is a brilliant, poignant, discomforting book but one that has the beauty of honesty and the ultimate restorative kindness that truth-telling offers. It is essential reading for anyone who wants to understand the complex typology and legacy of family secrets. — Katherine O’Donnell In this powerful memoir, Wills manages to excavate the truth about silence. Her vision as a historian reaches for the central question, why and how Irish people kept such dark secrets. How a nation of storytellers became so good at keeping violence concealed from themselves. How the information was kept, manipulated, disremembered under layers of talk into a vast store of collective forgetting. This is not only the story of Ireland in the past, but who we all are and what we have become. — Hugo Hamilton Missing Persons is as close to perfect as a memoir can be; the richness of its subject honed to a poised and discerning brevity, written in unexpectedly lambent prose. It is the sum of the author’s life: both the family history she carries with and within her, but also the four decades of research and analysis that have been her intellectual existence. Only she could have written it, but it will speak to and about the lives of many. — Lucy Scholes * Financial Times * She is deft at unpicking lies, evasions and gaps in the record, grasping that these things have political as well as private meaning… an act of fairly radical reframing. — Olivia Laing * The Guardian * An expertly crafted work, at once vigorous and subtle, which manages its effects and conserves its revelations with all the skill of a master novelist. — John Banville * The Observer *